Sculptural Handbuilding for Adults - Tuesday Mornings with Faryn Fee (1/10/23-2/14/23), 10AM-1PM
Dates: Tuesdays, January 10th – February 14th (6 weeks)
Times: 10 AM - 1 PM
Price: $360 (glaze, 1st bag of clay, firing, instruction and drop-in open studio time included). Tools ($20 + tax) and additional clay ($15-$35 per 25 lb bag) available for purchase at Clay Studio.
Description: This class is for everyone from beginners to seasoned ceramicists. All who have an interest in exploring their artistic expression are welcome. Through various group and individual exercises and prompts that were developed to engage the mind and channel inspiration and intuition, we will stretch the imagination while learning the language and the boundaries of clay. We will work in depth on an individual level in the pursuit of the actualization of personal projects. With a focus upon developing our intuition and artistic processes we will dive deep into our worlds to extract the magic within and seed it into clay. Age 18+.
Location: This class meets in an upstairs classroom. Students must be able to climb stairs.
Drop-in open studio hours will be available for this course: Students are welcome to come in to Clay Studio during our Open Studio Lab hours to work independently on Sundays from 11AM-4PM, Mondays from 10AM-1PM, Tuesdays from 4PM-8PM, and Fridays from 10AM-1PM. Please note that Open Studio Lab hours are subject to change.
Covid-19 Vaccination Mandate: Starting February 1, 2022, Clay Studio will require all employees, teachers, members and students to be vaccinated in order to enter the studio. You must show your vaccination card, a photo of your vaccination card or your SMART Health Card Record from Ca.gov to a Clay Studio employee on your first day of class. You may also email a photo of the above to info@ClayStudioSB.org.
Instructor: Faryn Fee
About your instructor: Faryn Fee is a multidisciplinary artist. She received her Bachelors of Fine Arts from Paris College of Art in France and a certificate of Ceramics and Metaphysics at Pratt Institute in Brooklyn. Specializing in porcelain, she pushes the boundaries of material limitations and through a process of deep outro/introspection she creates otherworldly landscapes that transcend the physical and into the spiritual realm to encourage the investigation of the rapture of being. Her teaching style emphasizes a development of exploration and intuitive manipulation of material to touch the inherently healing mechanism of creative work.