Intro to Handbuilding - Tuesday Evenings with Faryn Fee (2/28/23-4/4/23), 5:30PM - 8:30PM
Intro to Handbuilding - Tuesday Evenings with Faryn Fee (2/28/23-4/4/23), 5:30PM - 8:30PM
Clay Studio SB

Intro to Handbuilding - Tuesday Evenings with Faryn Fee (2/28/23-4/4/23), 5:30PM - 8:30PM

Regular price $360.00 $0.00 Unit price per

Dates: Tuesdays, January 10th – February 14th (6 weeks)

Times: 5:30PM - 8:30PM

Price: $360 (glaze, 1st bag of clay, firing, instruction and drop-in open studio time included). Tools ($20 + tax) and additional clay ($15-$35 per 25 lb bag) available for purchase at Clay Studio.

Description: This course is for beginners to hand building or clay in general and who have an interest in exploring their artistic expression. Through various group and individual excersices and prompts that were developed to engage the mind and channel inspiration and intuition, we will begin to stretch the imagination while learning the language tips and tricks of clay. Age 18+

Location: This class meets in an upstairs classroom. Students must be able to climb stairs.

Drop-in open studio hours will be available for this course: Students are welcome to come in to Clay Studio during our Open Studio Lab hours to work independently on Sundays from 11AM-4PM, Mondays from 10AM-1PM, Tuesdays from 4PM-8PM, and Fridays from 10AM-1PM. Please note that Open Studio Lab hours are subject to change.

Covid-19 Vaccination Mandate: Starting February 1, 2022, Clay Studio will require all employees, teachers, members and students to be vaccinated in order to enter the studio. You must show your vaccination card, a photo of your vaccination card or your SMART Health Card Record from to a Clay Studio employee on your first day of class. You may also email a photo of the above to

Instructor:  Faryn Fee

About your instructor: Faryn Fee is a multidisciplinary artist. She received her Bachelors of Fine Arts from Paris College of Art in France and a certificate of Ceramics and Metaphysics at Pratt Institute in Brooklyn. Specializing in porcelain, she pushes the boundaries of material limitations and through a process of deep outro/introspection she creates otherworldly landscapes that transcend the physical and into the spiritual realm to encourage the investigation of the rapture of being. Her teaching style emphasizes a development of exploration and intuitive manipulation of material to touch the inherently healing mechanism of creative work.